This painting is done with my three-color favorite combination, namely: French ultramarine, burnt sienna and raw sienna. It is a very good color combo for (non-green) landscapes, especially winter and autumn motifs. Step 1…
This is an old painting from 2004, the motif is from Lundagård in Lund. This park is adjacent to the university’s main building with its fountain which I have painted many times. The painting…
I have painted this picture with only two colors, one blue and the complementary color to blue, it usually means a brown color. You can choose which blue and brown you want, but before…
This painting is done with phthalo blue, burnt sienna, nickel dioxin yellow and quinacridone rose. The blue color can be replaced with e.g. Prussian blue or any other modern synthetic blue color. The brown…
Cobalt blue, burnt sienna, quinacridone rose and Nickel Dioxine Yellow (a warm yellow) This motif is from just outside Kävlinge on a beautiful autumn day when the trees start to turn brown. The photo…
This is a fairly easy exercise where you have to use kitchen paper or similar to soak up freshly painted paint to give a hazy effect. Use a blue, yellow and cold red color….
I have painted this with French ultramarine and burnt sienna, if you want to use another blue and brown it is OK. Choose a blue and brown that mixed with each other gives a…
This is just an exercise, it really has nothing to do with art. I have used three different colors: Phthalo blue, quinacridone rose and burnt sienna. If you want to make color mixing a…
In this exercise, one surface is painted at a time. When a paint surface is finished, it should dry before the next one begins. You should never “improve” any part of the painting. Once…
