Tourists in San Gimignano
This little exercise should be painted quickly. As for colors, you can use any. I myself used as a base: phthalo blue and venetian red and all sorts of others for the people in…
Exercises for watercolor painters in different levels of difficulty. Read them for tips or use them to paint from.
This little exercise should be painted quickly. As for colors, you can use any. I myself used as a base: phthalo blue and venetian red and all sorts of others for the people in…
This small exercise is the first my students get to do in wet on wet technique. It is intended to create an understanding of how the technique works. Wet on wet means painting on…
This exercise is impossible to place as easy or difficult. It depends on a lot of different things if it is one or the other: The right paper is essential, the right colors are…
Here is a fairly simple exercise painted with only three colors. You can use any colors that suit the painting, I used ivory black, phthalo blue and burnt sienna. The blue color can be…
The result of this exercise may not be art, but it is still a good exercise in wet on wet technique and mixing color. Use French ultramarine and some orange-brown color, I chose burnt…
It is often heard that black paint should be avoided, or even that it is forbidden in watercolor painting. I can understand why, a black detail. in a painting that does not contain any…
This exercise is painted with only two colors: French ultramarine and burnt sienna. It is not possible to successfully replace these colors with any others, possibly the brown color can be changed to a…
This is an exercise in wet on wet technique. It is painted with cobalt blue, burnt sienna and raw sienna. If you miss these colors, you can use French ultramarine instead of cobalt blue,…
This painting is done with my three-color favorite combination, namely: French ultramarine, burnt sienna and raw sienna. It is a very good color combo for (non-green) landscapes, especially winter and autumn motifs. Step 1…
This is an old painting from 2004, the motif is from Lundagård in Lund. This park is adjacent to the university’s main building with its fountain which I have painted many times. The painting…