Ultramarine violet (PV15)
Ultramarine violet is a further development of French ultramarine. Take the French ultramarine pigment and mix it with ammonium chloride (same as salmiak salt), heat the mixture to 250 degrees Celsius. Let the results…
Ultramarine violet is a further development of French ultramarine. Take the French ultramarine pigment and mix it with ammonium chloride (same as salmiak salt), heat the mixture to 250 degrees Celsius. Let the results…
This painting is done with phthalo blue, burnt sienna, nickel dioxin yellow and quinacridone rose. The blue color can be replaced with e.g. Prussian blue or any other modern synthetic blue color. The brown…
I received a set of watercolor brushes from Zen Art supplies sent to me for evaluation. I thought I might as well write a review on the blog of these brushes. They call the…
Isoindoline pigments are a group of modern dyes with shades from red to green-yellow, of which only the warm yellow PY139 is fairly common in watercolor. isoindoline yellow has an orange-yellow hue, is a…
Cobalt blue, burnt sienna, quinacridone rose and Nickel Dioxine Yellow (a warm yellow) This motif is from just outside Kävlinge on a beautiful autumn day when the trees start to turn brown. The photo…
Phthalo blue is available in several variants. The most common are PB15:1 and PB15:3, PB15:1 is warmer than PB15:3 and is often called red shade while PB15:3 which is greenish is often called green…
This is a very simple exercise for the absolute beginner, sometimes when I get students who do not master basic brush technique and who have difficulty painting with a lot of liquid, they get…
This is a painting that is painted according to the principle from light to dark. It is thus built up with gradually darker and darker layers of color. The exercise also shows how you…
Quinacridone red is something as unusual as a transparent warm red color. The color has very good mixing properties and it is possible to successfully mix it towards both orange and violet. The paint…

